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Post: Amici 22, Linus rejects the unpublished works of Federica and Cricca and reveals in wax: “Despair that reminds Blanco”.

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Linus evaluates the new songs of the performers of the evening Amici 22.

New unpublished competition at Amici 22 school. On this occasion, Maria De Filippi Summons Special Outside Judge. It’s about the radio host. Linus who commented on the new songs of young people singers who arrived in the evening and developed classification.

The boys of Amici 22 present their unpublished work: classification and critique of Linus.

At yesterday’s time of day Friends 22, Linus got a call from Maria De Filippi. For evaluate unpublished works of school singers. The famous radio host listened to the songs, and then composed classification. First place went to Angelina Mango, followed by Piccolo G, Aaron and Wax. The last places of Cricka and Federica Andreani.

To open unreleased race was Clique with his “Cursed Happiness”. The song that failed to convince Linus:

As if two songs merged together. It seems to me that you don’t wear it very well, I think that the dress that fits you is a little uncomfortable. There are some passages where vocally, in my opinion, you are a little stuck, there is a very good verse and a very bad chorus, this song is half-hearted. It’s a little embarrassing. I think this is a bit of a missed opportunity.

The same goes for unreleased Federica“Slide”:

I don’t really like this song. I think it’s a little like a phone call, a little obvious, and then I don’t even know if it allows you to express yourself. There are some passages that seem designed to put you in a quandary that you will soon overcome by becoming even more skillful and expressive. The nice thing is that, in my opinion, you have many voices and you can do many types of registers.

As for instead wax, Linus it turned out that he found in his unpublished “Thank you” the same desperation of another young artist of the time.. According to the radio host, the singer Friends 22 will tend too similar to Blanco both in composition and in singing:

I’m a bit conflicted. There are many things that I like and some that leave me confused. The most important thing I have to tell you is to be careful, because when we start work, especially with an artistic key, we all tend to even unconsciously return to some models. It is clear that you listened to Blanco a lot, and this desperation in the way Blanco sings and composes comes out. Because of this, the resemblance to Blanco loses some originality, because, on the other hand, you are very original. You need to bring a little more order to what you are doing. And try to be a little more of yourself and a little less of others. But don’t lose the desire to be almost cinematic in your songs. It’s not for everyone, it’s something I find very valuable.

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