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Post: The Doctor. Abdullah al-Ghadami writes: Who missed al-Assad if you missed intimidation?

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Fatiq al-Asad went after Aba al-Tayyib al-Mutanabi to kill him, but he committed suicide and made his sad history as the murderer of the most poetic Arab poets. he kept trying to kill him with his poetry and his voice, and he was not ashamed of his voice, but turned his voice into a deadly weapon, slandering him in front of non-Assad assassin (intimidation killer). Both are victims of their poetry (their voices) and ambushed by their reputations and voices, and Haidar’s situation was different because he still controlled the flow of the fight and it is a fight. Whose temper first flared on Twitter in 2016 after his famous poem before King Salman during his visit to Al-Ahsa that year, Haider recited a poem that shed light on poetry and art, creating a great poetic moment. , but the mass of people do not think when they get excited. If the hair came whispered, you would find out what Muhammad Mandur had found in several writers that al-Aqadi supported and supported against Mandur because they ridiculed Mandur’s call for whispered poetry. Modernity coexists with modernity and conscience, which adopts a language that stimulates thought. And after Arabic poetry, insight dominated the importance of rhetoric, the power of speech and the harshness of the voice in order not to take poetry anywhere, and Shafif, he feared that his poem would fail before the Republic of Hafez Ibrahim. In any case, when the two poets met, but Shawki passed without the latigos of the angry masses, who waited for the voice, not the poetry, but Haider al-Abdullah did not protect himself from the anger of the masses, which became permitted by the symptoms. Poems and he forgot about poetry, so there was no critical awareness of it, and he began to direct his arrows towards the voice, as if the whispered voice was a flaw and a poetic shame, just like whispered poetry. . With sarcastic and mocking words from some critical gatekeepers.
Years have passed since the case of Haider al-Abdullah’s poem and the uproar that surrounded it, but the story still resonates with the sad controversy that stung the poet, forcing him to tell his story, show his pain and present his case to the pastas . His taste for the status of poetry, its condition and advantages, if it was different from the ordinary, followed his delirium, I heard Haidar’s speech and felt sorry for him, and at the same time I rejoiced in his victory. To his killers who couldn’t kill him, and they kept shooting at him and he took them like he was victorious in a battle where witchcraft fights the dead, his killer, everyone. It is a silent space, but it is a space similar to the space of poetry and victory as the victory of poetry, and in the end the poet wins the asesino and the betrayal of your asesino returns to his chest, because the son of poetry he did. In order not to give up on his murderer, therefore he presented a testimony that distances the murderers and puts them in the court of taste and conscious opinion, which understands and improves understanding and consideration.

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Source: Al Ittihad

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